ALLEN & HEATH DLIVE · .TAR.GZ

The dLive archive, patched field by field.

Import a Director show archive, build the plot, and export a copy with a real, field-specific writeback surface — and an equally specific list of what's not promoted yet.


01 — The format

A compressed archive, managed through Director

A dLive show is a .tar.gz archive — a compressed bundle of StageBox and Surface scene files, not a single flat scene the way X32 works. Shows live in Allen & Heath Director, the offline/online control software, and move by the same paths Director already uses to manage them.

File Format
.tar.gz
Compressed archive of StageBox/Surface scene DATs
Surfaces
C1500–C3500
DM32/DM48/DM64 stage racks, both surface bases tested against real captures
Input Channels
Up to 128
Scales with surface and rack configuration
Editor
A&H Director
Reads/writes the same archive the surface does

02 — What load·in reads

Names, color, and the current scene state

Import a show and load·in reads channel names, colors, icons where the workflow exposes them, stereo channel ganging, and named mix bus labels off the archive's current-scene data — the same slot that carries whatever you last stacked on the desk.


03 — What load·in writes

Real per-field writes, verified one setting at a time

Every field below was proven the hard way: a founder-captured pair of real dLive archives that differ in exactly one setting, compared to isolate exactly what changed, then a writer built to reproduce that exact change.

✓Channel names, colors, icons where supported, stereo links, mix bus labels
✓Mute, fader level, pan
✓HPF and EQ values, plus gate and comp on/off — verified filter and EQ settings write their values; gate and compressor stay on/off only for now
✓Aux sends 1–10 on/off and level — the verified block of the desk's larger send bank; an unrecognized send layout refuses the write outright rather than guessing
✓DCA group membership — same fail-closed behavior: an unrecognized layout is refused, never written speculatively

04 — What load·in leaves alone

Untouched means untouched — and refusal is a feature

load·in patches the marker-guarded regions for the fields above and leaves the rest of every StageBox and Surface scene DAT exactly as it found it. If a write would land somewhere load·in can't positively identify — an unfamiliar send layout, a DCA table shape it doesn't recognize — it refuses the whole write rather than guess. A refusal you can see beats a corrupted archive you can't.


05 — What load·in won't claim

The honest edges

—Phantom power (48V) is not yet write-verified for dLive — it reads fine, it doesn't patch back out yet.
—Same-console strip reorder isn't promoted for dLive yet. Moving a channel and expecting its full opaque processing state to travel with it is not a claim load·in makes on dLive today.
—Gate depth and compressor threshold are preserved, not written — set those specific values on the desk.
—Aux sends 1–10 are the verified block — sends higher on the desk's own up-to-62-bus mix engine are read and preserved, not authored.

06 — Before the show

Verify it before it's the desk's problem

Other supported workflows: Allen & Heath SQ · DiGiCo SD · Avid VENUE S6L · the full list is on the console support page.

A real writeback surface, and an honest edge to it.

Import your dLive show. Build the plot. Export a patched copy.

Try load·in free →

No signup required to plan. Console-file import, export and account features need a connection.